Posts tagged free lessons
ADVANCED GROOVE VARIATIONS: Basic 32nd Note Patterns

Free PDF here

Let's start to get into some of the more advanced variations you can apply to the lessons found in "Groove Exercises for the Drumset." (available at www.thedrummerbrain.com/store )

We're starting with 32nd Note grooves - 32nd Notes are used a lot in modern drumming, especially in hip-hop, fusion, jazz and metal. You need to integrate them into your vocabulary if you're going to hang with any 'advanced' level of music.

That said, you should treat 32nd notes (and ALL advanced concepts) like a seasoning - to be used in moderation - too much salt will ruin your whole dish, too many fast crazy notes will ruin your groove. MODERATION is always the key, and that comes from experience and listening to other musicians.

Lets get into the exercises: we start with 32nd notes as alternates on our hat, then we move to doubles, inverted doubles and paradiddles. Every sticking has a different feel and a different sound, so explore each one patiently.

A thorough study would mean going back to Lesson 1 and playing every variation through to Lesson 7 - that's A LOT of exercises to play - advanced players may want to skip straight to Lessons 6 and 7. Whatever you do, GO SLOW and focus on lining up your notes.

You should start filling your ears with these subdivisions too - check out some of the masters: Vinnie, Dave Weckl, Dennis Chambers, Tony Williams and the modern day pioneers: Eric Moore, Wotjek Deregowski, Justin Brown, Justin Scott - 32nd notes are a huge part of their vocab!

Happy Drums to You!

GROOVE EXERCISE BASIC VARIATIONS

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Once you've played through all of the Lessons from "Groove Exercises for the Drumset" you can go back and replay any or all lessons with alternate hi-hat patterns.

This is where the possibilities really open up, each variation and groove have their own unique feel and weight - experimentation and listening will help you discover which hi-hat patterns and snare/bass grooves work well together.

Certain variations are trickier than others, especially continual 16th's with the RH and the 'hanging' sixteenth note patterns (1andAhs and 1Eands) but, the trickier variations often lead to the funkiest results once mastered.

This is where beginner students begin to add layers and depth to their playing - it is also where students have to start critically listening to other drummers to hear these types of variations in action. Investing time to explore the infinite subtleties on the kit needs to be coupled with regular listening and watching live music.

These are only the basics! Find out which variations you like the most and incorporate them into your vocabulary. Happy drums to you!

This lesson as well as all previous lessons are from the book "Groove Exercises for the Drumset" available for purchase or download at www.thedrummerbrain.com/store

PATTERN EXERCISE: Syncopation Lesson 14 - Microfill Voicing

Part 6 of a Fill Pattern series exploring Syncopation Lesson 14

Part 1: https://youtu.be/bKIN6bQgMU4

Part 2: https://youtu.be/eKWSYUV-AkI

Part 3: https://youtu.be/6lcMQYlqKPo

Part 4: https://youtu.be/6D-G3Ek0QXw

Part 5: https://youtu.be/cRgfHa3XgsI

Everyone's favorite: Microfills. First you need to set a base, in Syncopation Lesson 14 our base is 16th notes, which we play as an alternate sticking groove.

The permutating figure (the notes in red) is our Microfill - you may need to start with just one voicing for your microfill, but eventually you should modify your voicing for beats 1&3 and 2&4 - keeping a snare on the 2s and 4s will keep the groove going.

Once you're comfortable with the basics, modify and experiment - this is where the rubber meets the road for a lot of modern drumming, so dig in to this voicing.

Full transcription here

www.thedrummerbrain.com/free-lessons

PATTERN EXERCISE: Syncopation Lesson 14 - Groove Voicing

Part 5 of a pattern exercise series covering Syncopation Lesson 14

Part 1 :https://youtu.be/bKIN6bQgMU4

Part 2: https://youtu.be/eKWSYUV-AkI

Part 3: https://youtu.be/6lcMQYlqKPo

Part 4: https://youtu.be/6D-G3Ek0QXw

This time we voicing Lesson 14 as a groove - this can be very simple as shown: We read everything on the hi-hat and use alternate strokes.

As usual, once you're comfortable with the basics, MODIFY! You can change sticking (doubles, diddles, flams) or change voices (ride, stack, bell) you can change placement for kick or snare etc. The goal is creativity, so use your imagination!

Full transcription here

PATTERN EXERCISE: Syncopation Lesson 14 - Two Kick Substitution

This is Video 4 of a Fill Pattern series covering Syncopation Lesson 14.

Previous videos:

Video 1: https://www.youtube.com/watch?v=bKIN6bQgMU4

Video 2: https://www.youtube.com/watch?v=eKWSYUV-AkI

Video 3: https://www.youtube.com/watch?v=6lcMQYlqKPo

Now we add two kick substitutions - remember that kick placement cary be any part of the phrase: RLKKRL or KKRLRL etc...

Using your creativity is key to making musical and fun exercises - start with simple rules, like quarter note voicings and slowly add on more variations. You can get to some really nasty ideas in no time.

Download full transcription here

PATTERN EXERCISES: SYNCOPATION LESSON 14 - 8TH NOTE VOICINGS

This is video 2 of an excerpt from Pattern Exercises.

Watch video 1 here

After we’ve comfortably moved Lesson 14 around the kit in quarter note subdivisions, it’s time to go smaller, 8th note subdivisions make for a great movement exercise as well as some killer sounding fills. Moving sets of 3 notes quickly between drums is huge for odd grouping patterns and flashy fills.

Start slowly and go for accuracy over speed.

Download a free PDF of this complete lesson here

Pattern Exercise: Syncopation Lesson 14

Video 1 of Pattern Excercises: Syncopation Lesson 14

This is a pattern exercise based off of the exercises found in Ted Reed's book: "Progressive Steps to Syncopation." I'd highly recommend purchasing Ted's book and working through it as well!

The first part of Reed's book starts with a series of 'Grids' with varying rhythmic subdivisions - the smallest subdivision Reed's book reaches is 16th note, which are actually about the second or third LARGEST subdivision in most modern drumming.

The Drummer Brain Pattern Exercises BEGIN with sixteenth notes and eighth note triplets (Lesson 13) and up to 32nd notes and 32nd note triplets. Lesson 14 tends to be the place most students start, 16th notes vs. 16th note triplets.

We begin by moving our hands around the kit in a quarter note motion - that just means your hands change drums every quarter note. Mastering this motion will be essential before you can start to add more voicing variations to this pattern.

Happy practicing!